The performance of Madama Butterfly at the Aix-en-Provence Festival on July 19th was nothing short of a great evening. This renowned festival, with a rich history dating back to its founding in 1948, has become one of the most prestigious opera events in the world. Each summer, Aix-en-Provence transforms into a haven for opera enthusiasts, hosting a series of performances that attract audiences from all over the globe. This year, Madama Butterfly was performed eight times in a single month, with a stellar cast bringing Puccini’s tragic masterpiece to life.
Ermonela Jaho’s portrayal of Cio-Cio-San was truly breathtaking. From start to finish, she carried the opera with unmatched emotional depth and vocal prowess. Her performance of the aria “Un bel di Vedremo” was met with an overwhelming standing ovation, as the audience erupted into thunderous applause. Jaho’s ability to convey the poignant despair and unwavering hope of her character left an indelible impression, making it one of the highlights of the festival. I am eagerly looking forward to seeing her reprise this role in Lyon in January 2024 with the same cast.
Adam Smith, as B. F. Pinkerton, delivered a commendable performance, particularly excelling in the love duets with Cio-Cio-San. His chemistry with Jaho was palpable, adding a layer of authenticity to their on-stage relationship. Smith’s portrayal of the American naval officer was nuanced and compelling, making the audience feel the emotional weight of his character’s actions.
Lionel Lhote, in the role of Sharpless, deserves special mention. His consistent excellence on stage is always a delight, and this performance was no exception. Lhote brought a depth and sincerity to the role of the American consul, making his scenes some of the most engaging of the evening.
The musical direction by Daniele Rustioni, the conductor of the Opéra de Lyon, was outstanding. Rustioni’s command of the orchestra was evident throughout, with the intermezzo being a particularly moving highlight. The precision and emotive power of the orchestra under his baton brought many in the audience, including myself, to tears.
The production featured a classic and minimalist staging, typical of the Aix-en-Provence Festival, allowing the powerful performances and beautiful music to take center stage. The atmosphere in the Théâtre de l’Archevêché was electric, with a sold-out crowd adding to the sense of occasion. The festival’s impeccable organization and vibrant ambiance further enhanced the experience, making it a memorable night for all in attendance.
Overall, this production of Madama Butterfly at the Aix-en-Provence Festival was a triumph. With exceptional performances from Ermonela Jaho and the entire cast, masterful musical direction by Daniele Rustioni, and the enchanting setting of the Théâtre de l’Archevêché, it was an evening that celebrated the profound beauty and tragic depth of Puccini’s opera.
