For this final revival of Nicolas Joël’s classic production, the Toulouse Opera unveiled an international caliber principal cast, raising expectations to a peak on opening night.With its grandiose sets, meticulously…
LA SYLPHIDE | Bayerische Staatsoper
What makes La Sylphide especially meaningful for opera lovers is how recognisable its emotional grammar is. You don’t need to be deeply versed in ballet technique to feel at home: the storytelling…
LUISA MILLER | Wiener Staatsoper
There are evenings when Verdi’s Luisa Miller feels less like a prelude to the later tragedies and more like a fully mature, self‑contained world — one where intimacy and power collide, and…
DIE VERKAUFTE BRAUT | Bayerische Staatsoper
The lightness of an opera sometimes becomes its greatest strength — evenings where the joy onstage mirrors the joy in the room, and where a packed audience full of young…
TRISTAN UND ISOLDE | Teatro Carlo Felice
“Since I have never in my life enjoyed the true happiness of love, I intend to erect a further monument to this most beautiful of dreams, a monument in which…
VIOLANTA | Deutsche Oper Berlin
The work is as rare as it is concise (barely eighty minutes) yet sufficiently incandescent to leave upon its listeners an imprint commensurate with the ardour of its passions and…
L’ELISIR D’AMORE | The State Opera – Prague
If there is one place where I feel comfortable, at ease, and truly at home, it is the State Opera in Prague. I defend this theater, which is so dear…
TURANDOT | Deutsche Oper Berlin
I hesitated for a long time before writing the lines that follow. You know Opera Diary’s primary motivation: to inspire audiences to go to the theater and to focus only…
TOSCA | Staatsoper Berlin
Friday the 13th may carry a reputation for bad luck, but at the Staatsoper Berlin, there was nothing unfortunate about this Tosca. Having seen countless productions of Puccini’s masterpiece over…
FAURÉ · SAINT‑SAËNS · PROKOFIEV | Symphonieorchester des Bayerischen Rundfunks
Symphonic & Theatric — A Natural Rhyme Some programmes barely need a stage: they play in images, and this one certainly did. Fauré’s Pelléas et Mélisande Suite unfolded less like a set…