After the triumph of Elektra and the less conclusive venture of Ă–dipus und die Sphinx, Hofmannsthal felt the need to step back from tragedy and attempt a genre more accessible…
TRISTAN UND ISOLDE | Oper Frankfurt
Oper Frankfurt opens the early spring season with a revival of Katharina Thoma’s 2020 production. The staging is marked by Johannes Leiacker’s pared‑back set design, the same throughout all three…
LADY MACBETH OF MTSENSK | Komisch Oper Berlin
The aesthetic violence matches the musical intensity. Remembering that, for its composer, this opera was a “satirical tragedy”, where “satirical” means an indictment of the cynicism and contempt of Russia’s…
DON CARLO | Deutsche Oper Berlin
Long acclaimed for its merits, the current Don Carlo at the Deutsche Oper nonetheless proves a revelation to those approaching it anew. The eye is first caught by Marco Arturo…
SALOME | Bayerische Staatsoper
Somewhere between the 1930s and 1940s, a group of Jewish men and women gathers in a vast and richly stocked library. As in all places where books are handled and…
DIALOGUES DES CARMELITES | Den Kongelige Opera
The spareness of the dĂ©cor presages that of the work itself. From the instant the curtain rises, space is yielded to the full dramatic amplitude such an act of remembrance…
VIOLANTA | Deutsche Oper Berlin
The work is as rare as it is concise (barely eighty minutes) yet sufficiently incandescent to leave upon its listeners an imprint commensurate with the ardour of its passions and…
DIE MEISTERSINGER VON NĂśRNBERG | Staatsoper Stuttgart
Opening night for this production, and for many of its soloists as well: no fewer than seventeen role dĂ©buts. A distinct air of renewal, then, for an opera that demands…
DER SCHATZGRĂ„BER | Deutsche Oper Berlin
Restraint touched with elegance returns to the stage of the Deutsche Oper in this revival of Der Schatzgräber, in Christof Loy’s staging, long acclaimed wherever it has been seen. In…