Under the precise and inspired direction of Daniel Oren, this production of Aida left an indelible mark, impressing both musically and theatrically. Oren’s keen understanding of Verdi’s score allowed for a performance that was deeply cohesive, with every note and passage seamlessly contributing to the overall sense of grandeur and emotional depth. The orchestra played with remarkable finesse, producing a sound that was both rich and nuanced. Oren’s attention to detail ensured that the power of the music never overwhelmed the vocal lines, allowing the singers to shine without being overshadowed by the orchestra.
Robert Carsen’s staging was sober yet thoughtful. It eschewed excessive spectacle in favor of a clear, intelligent conception. The design avoided bombastic visual effects, allowing the focus to remain on the emotional and dramatic weight of the story. The production made a subtle but important statement by interrogating the notion of military glory, cleverly showcasing its contradictions without shying away from the inherent tension in the narrative.
Anna Pirozzi, who has become a true force in the role of Aida, delivered a performance that was nothing short of spectacular. Her vocal prowess and deep emotional connection to the character were evident from the very first notes. Her powerful timbre filled the hall with an effortlessly commanding presence, and her technical mastery allowed her to navigate the most demanding passages with ease. Pirozzi’s phrasing throughout was impeccable, infusing each line with a sense of meaning and depth. The famous aria Ritorna vincitor was infused with dramatic intensity, capturing the internal conflict of Aida as she navigates her torn loyalties. Her rendition of O patria mia was particularly memorable, as she showcased perfect control over her soaring high notes, wrapping them in a tone that was both achingly beautiful and full of longing. It was a performance that, while not surprising given her previous successes, still impressed with its consistency and emotional weight.
Opposite her, Riccardo Massi portrayed a heroic Radamès, marked by a clear vocal delivery and a beautiful legato. His Celeste Aida was elegantly executed, and his commitment in the final duet was particularly compelling.
As Amneris, Raehann Bryce-Davis made an indelible impression. From her first appearance on stage, she asserted her vocal and dramatic presence with absolute authority. Bryce-Davis has a voice of considerable depth and resonance, and her interpretation of Amneris was multifaceted.
Amartuvshin Enkhbat’s Amonasro was another standout performance. Enkhbat, known for his commanding presence and vocal precision, proved once again why he is considered one of the foremost Verdi baritones of his generation. His Amonasro was imbued with a sense of both danger and nobility, expertly walking the fine line between a father’s protective love and a leader’s ruthless ambition. His voice was solid and secure throughout, never veering into excess, but always conveying the underlying tension of his character. Enkhbat’s nuanced approach to the role allowed Amonasro’s moments of tenderness to shine through, even in the most tense and dramatic scenes. We simply regret that his part is so narrow.
The supporting cast also delivered strong performances, with Alexander Köpeczi standing out as an imposing Ramfis. His voice was deep and resonant, and his portrayal of the high priest exuded authority and strength. Köpeczi’s presence on stage was magnetic, and his delivery of Ramfis’ lines reflected the character’s unflinching commitment to the gods and the state. George Andguladze, as the King of Egypt, also provided a strong and dignified presence, contributing to the overall dramatic atmosphere with a sense of seriousness and gravitas.
The atmosphere in the hall was electric, and the audience responded to the performance with an enthusiastic standing ovation. The production, while not seeking to reinvent the wheel, brought a level of refinement and sophistication to Aida that felt fresh and invigorating. The strong musical direction, coupled with a cast that brought both vocal brilliance and emotional depth to their roles, made for a truly memorable evening at the opera. It was an interpretation of Aida that did justice to Verdi’s monumental score while offering a thought-provoking and cohesive vision of the opera. A truly successful performance that left a lasting impression on all who were fortunate enough to witness it.
CASTING
Aida
Anna Pirozzi
Il Re d’Egitto
George Andguladze
Amneris
Raehann Bryce-Davis
Radamès
Riccardo Massi
Amonasro
Amartuvshin Enkhbat
Ramfis
Alexander Köpeczi
Un messaggero
Andrés Presno
Una sacerdotessa
Khayakazi Madlala
