There are evenings when Verdi’s Luisa Miller feels less like a prelude to the later tragedies and more like a fully mature, self‑contained world — one where intimacy and power collide, and…
DIE VERKAUFTE BRAUT | Bayerische Staatsoper
The lightness of an opera sometimes becomes its greatest strength — evenings where the joy onstage mirrors the joy in the room, and where a packed audience full of young…
