Usually, when I write a review, I like to jot down a few thoughts on my way to the theater—whether in a train, plane, or taxi. But today was a little different.
An Opera in them midst of a strike?
A strike day in Italy! Nothing unusual, but for the second year in a row, my plans were at risk—last year, La Rondine was canceled, and this time, I wasn’t even sure Rigoletto would go ahead. Would it be postponed? Interrupted mid-performance? Imagine the “Cortigiani” scene with real-life protesters storming the stage… I might have lost my mind!
Luckily, against all odds, the show did happen. And what a relief!
A theater with a story
The Teatro Regio Torino has quite a history. Originally inaugurated in 1740, it was tragically destroyed by fire in 1936. After decades of reconstruction, it was finally reborn in 1973, boasting a modernist architectural design with a seating capacity of around 1,500. Despite its contemporary look, it remains one of Italy’s most prestigious opera houses, known for its top-tier productions and outstanding acoustics. And last night, those acoustics served Verdi’s masterpiece to perfection.
Rigoletto: …never gets old
It’s insane how, after my 460th listen or 370th time watching it, Rigoletto still hits just as hard. There are very few operas that have that Back to the Future effect—you can see them a hundred times and still discover something new while feeling the same emotions.
And with this cast, those emotions were all there.
A Gilda who stole the show
Since it was International Women’s Day, let’s start with Daniela Cappiello. My god, what a joy it was to hear her. When she sang “Caro nome”, the entire audience held its breath. Those endless high notes, that stage presence—it was her night. If the opera had been renamed Gilda, no one would have questioned it!
A commanding Rigoletto
Then there was Devid Cecconi, stepping into the role of Rigoletto. It was my first time seeing him in this part, and while I personally would have loved a touch more drama, especially towards the end of Act I, his vengeful arias and duets were impeccably delivered. His voice was powerful, his presence commanding—an unforgettable performance.
A Maestro in total control
A special mention to Nicola Luisotti, the conductor I had been dying to hear live again ever since his stunning Forza del Destino in Barcelona last year (which I ranked in my top 3 performances of 2024). His calm, expressive gestures and deep connection with the orchestra were a perfect match for the musicians of Turin. The chorus was, once again, outstanding—always in sync with the orchestra and never missing a beat.
Final thoughts? A perfect night in Torino!
From the stress of the strike to the pure bliss of Verdi’s genius, this night at Teatro Regio Torino was nothing short of spectacular. I came in fearing cancellation—I left reminded why I’ll never tire of Rigoletto.
And with that, onto the next opera… Let’s just hope Italy doesn’t go on strike again next time! 😄
