Damiano Michieletto’s latest production of Bizet’s iconic tragedy, Carmen, staged at the Royal Opera House in London, delves deep into the complexities of its characters against the backdrop of a stifling Mediterranean heat and a tightly knit community on the brink of collapse.
Michieletto’s direction, reminiscent of his previous successes like Cavalleria Rusticana and Pagliacci, skillfully navigates the intricate sexual politics inherent in Carmen’s narrative. By portraying Carmen’s tragedy as a symptom of societal claustrophobia, Michieletto deftly avoids the pitfalls of voyeurism often associated with the opera’s violent climax. Instead, he paints a picture of a close-knit community teetering on the edge, with Carmen’s fate merely adding to the town’s collective woes.
Paolo Fantin’s sets, illuminated by Alessandro Carletti, transport the audience to rural Andalucía, emphasizing the isolation and desolation of the town’s inhabitants. From confined interiors to expansive horizons, each setting adds depth to the narrative, anchoring the emotional intensity of the performances.
Aigul Akhmetshina’s portrayal of Carmen is nothing short of electrifying. Her vocal prowess, coupled with a nuanced and complex characterization, captivates the audience from start to finish. Opposite her, Piotr Beczala delivers a stunning performance as Don José, blending clarion high notes with moments of haunting vulnerability.
Supporting roles, including Olga Kulchynska’s Micaëla and Kostas Smoriginas as the toreador, are equally impressive, adding layers of depth to the production. Michieletto’s incorporation of the ROH Chorus, particularly the children, adds a sense of authenticity and enthusiasm to the overall performance.
In the pit, Antonello Manacorda’s richly sculpted interpretation of Bizet’s score drives the narrative forward, breathing new life into familiar melodies. His decision to open up traditional cuts proves fruitful, allowing the music to shine in all its glory.
While Michieletto’s production is not without its minor inconsistencies, the overall experience is one of intense drama and emotional resonance. Carmen at the Royal Opera House is a testament to the enduring power of Bizet’s masterpiece, brought to life with passion and artistry.
