The house is sold out this evening for the revival of Andreas Homoki’s production, which plays with a mise en abyme of theatrical representation. A living, breathing performance, driven by…
THE PASSENGER | Opéra National du Capitole
There are subjects that demand every ounce of tact one can summon merely to approach them, yet they cannot evade the obligation to evoke, as plainly as possible, the very…
IL TROVATORE | Teatro Carlo Felice – Genova
Attending a final performance is something I increasingly enjoy and am beginning to prefer to opening nights. Sure, opening nights are nice for the glitz, glamour, and champagne, but you…
NABUCCO | Bayerische Staatsoper
Opening nights of Nabucco often hinge on the ability of the conductor to grip Verdi’s early and volcanic writing with both discipline and imagination. What unfolded this evening under Francesco Ivan Ciampa was exactly…
Mozart 38 & Bruckner 4 | Symphonieorchester des Bayerischen Rundfunks
Originally announced with Gustavo Dudamel, the programme ultimately fell to Paavo Järvi — and what a stroke of luck. His conducting, as always, was energetic, theatrical, and deeply informed, turning two symphonies into…
NABUCCO | Teatro San Carlo
The production of Nabucco, which inaugurated the year 2026 at the most beautiful theater in theworld, can be considered the perfect synthesis of the Lissner/Tzempetonidis management, recentlyconcluded with the designation…
LA BOHEME | Teatro Dell’Opera di Roma
There are not many operas left today that truly make me cry.Not because they are less powerful, but because I see a lot of opera, I consume a lot of…
THE NUTCRACKER | Bayerische Staatsoper
Staging & Choreography: John Neumeier • Sets & Costumes: Jürgen Rose • Musical Direction: Azim Karimov There are Nutcrackers that simply serve tradition, and others that reshape it to rediscover its meaning. John Neumeier’s…
AKADEMIEKONZERT | Bayerische Staatsoper
Conductor: Vladimir JurowskiSoloist: Francesco Piemontesi An ambitious programme spanning three distinct worlds: the brooding intensity of Rachmaninov, the crystalline elegance of Ravel, and the monumental sweep of Strauss. Jurowski approached…